![]() The hero may fail in the first two, or all, of these instances-perhaps learning valuable lessons along the way, of course-but eventually she'll succeed. The rule of three can be added to your own story in myriad ways: Your protagonist can meet three new minor characters, or endure three challenges, or go on three dates with three potential lovers. She pointed out that in The Hunger Games, Rue serves as a surrogate for Katniss' younger sister during the games. Pereira also advises using surrogates to advance your hero's journey. Act One introduces your protagonist, but it’s in Act Two that the supporting cast comes to life." Collins, Lady Catherine, and Georgiana Darcy. In Pride and Prejudice we meet Wickham and the militia, as well as Mr. "In The Hunger Games we get to know Peeta, Rue, and the other tributes participating in the Games. "In Harry Potter and the Sorcerer’s Stone, we meet all of Harry’s professors and classmates in Act Two," Pereira writes. You love your protagonist, and the overall story arc focuses on her, but Act Two is a great area to flesh out the characters who help her along (or hinder her) on her journey, as well as any potential subplots they're involved in. One particular area for development is the depth of the supporting cast. Give your supporting cast more page time. What to Do When You're Stuck Writing the Middle of Your Novel 1. This can derail your productivity-or your NaNoWriMo attempt-unless you work through it. It's a particularly tough area in which many novelists get stuck writing, either because they're not sure how to flesh out the middle or because they've simply reached a lull in the action. One segment of the boot camp that I found particularly helpful was her section on "Muddling Through the Middle"-that is, keeping up your pacing, action, and story while you're writing Act Two of your next great novel. Her seven-step system is a great way to take your work from nothing to publication (and you can read about it in her book if you missed the boot camp).Īccording to DIY MFA, a novel's story structure is comprised of three acts and two decision points that allow your protagonist to determine how the story plays out from those two points. At the Writer's Digest Novel Writing Conference last month, Gabriela Pereira-speaker, podcaster, and author-extraordinaire of DIY MFA -presented an information-packed, eight-hour boot camp on planning, writing, and revising your novel.
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